Khanh Le Le and 
Aliza Katzman in Dialogue

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Khanh Le Le

works mainly with printed matter, textiles, and sculptures. Le digitizes Vietnamese household objects, transforms their imageries and characteristics in cyberspace, and replicates those objects through tactile processes such as printing, weaving, and sewing. They aim to create faux-fiber replicas existing at the intersection of physical reality and digital dreamscape. Through this mode of production, Le seeks to reimagine the traditions and mythologies in trans narratives.



Khanh Le Le, Roi, 2024





Aliza Katzman

is a Brooklyn-based painter and printmaker interested in the power of narrative and taxonomical frameworks. Inspired by the constant interface between the natural world and human society, their work explores parallels between naturalistic imagery and our psychosocial landscape. Aliza draws on a host of influences to experiment with the visual language of storytelling: comics, scientific research, history texts, religion, and folklore. By addressing the limitations of existing frameworks, they aim to make art about the experiences which fall between the cracks of intelligibility - the hybrid, the monstrous, and the fantastical.



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